Carvings, Curiosand Scholars’ Objects

Cabinet · Exhibition

The rooms

Wall-card captions list title, material, era, and dimensions. Scholarly catalog notes live on each object page. Filter by exhibition room or browse the full catalog.

Room · Films

Featured films

Short, silent studies of objects in the cabinet — six to twelve seconds, looping. Autoplay is muted and skipped when you prefer reduced motion.

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Taiwanese Fengtian nephrite

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Brazilian emerald in matrix

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Brazilian emeralds as miniature paintings

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Amethyst carving

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Fengtian jade

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Rainbow moonstone

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Indonesian blue amber

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Fengtian jade study

Room I

Carved Minerals

Carved like miniature freestanding scholar's rocks, but from extraordinarily rare and precious gemstone material.

Hardstone carving in the Chinese tradition treats the pebble as a landscape already half-written. Color, skin, and fracture are not flaws but compositional facts. Works in this room are catalogued for material, polish, and the dialogue between natural form and the carver's hand.

3 objects

Room II

Scholar's Objects

Ink stones, brush rests, seals, bitong, and rocks for the writing table — wenfang companions.

The wenfang — the four treasures and their companions — furnished the literati desk as both tool and philosophy. An ink stone is a working grind and a miniature mountain; a seal is signature and sculpture. Objects here are dated by style, stone type, and workshop practice rather than by retail fashion.

5 objects

Room III

Curios

Snuff bottles, enamel vessels, and singular finds for the cabinet of curiosities.

Beside the studio stood the cabinet: vessels of enamel and fire, pocket landscapes in agate, pieces that refuse a single category. Curios are shown as companions to the scholar’s table, not as commodities of novelty.

2 objects